Podcast session
from$95
- Microphones and headphones set up before you arrive
- Each voice recorded on its own track
- Edited episode for $70 more
Recording, mixing and mastering for artists, bands and podcasters. Book studio time by the session, with an engineer, the live room and the vocal booth included in every booking.

Every booking includes the engineer, the live room, the vocal booth and the instruments kept in the studio. Music sessions start at 10:00, 14:00 or 18:00.
from$95
from$240
from$440
When we confirm your slot, a quarter of the session price secures it, and the rest is settled on the day, directly with the studio. Cancel at least 72 hours ahead and that deposit carries over to a new date.

The live room is big enough for a five piece band to play together, with wood panels and movable screens to dry the sound out or let it ring. The vocal booth sits behind glass, so the singer and the band can see each other while the takes stay separate.
The control room is treated for honest listening, so a mix that sounds right here also sounds right in a car, on earbuds and on a club system.
From the request to the files in your hands, with one engineer looking after the whole day.
Pick a session, a date and a start time, and tell us what you want to record.
A short call a few days before covers the songs, the tempo, the line up and any reference tracks.
The first half hour goes on setting up and getting every instrument and headphone mix right.
Takes are saved and backed up as you go, and you leave with rough mixes and the session files.
Recorded here or somewhere else, send us the songs with a few notes on how they should feel.
Each song balanced, shaped and finished on calibrated monitors, with two rounds of changes included.
Final loudness, tone and spacing set for streaming, vinyl or CD, with a master for each format you need.
Mastering from four to eight grouped stems, for a stereo mix that needs more help than a master alone can give.
Pauses, stumbles and room noise cleaned up, levels matched between voices, and your intro music added.
Timing tightened and pitch corrected with a light hand, so the performance still sounds like a person.
Drums, bass, keys or strings played by musicians we trust, booked for your session and paid by the hour.
A little preparation saves expensive studio time. These are the things our engineers wish every artist knew before day one.
| Bring | Why it matters |
|---|---|
| Guitars restrung a day or two before | New strings sound bright but need time to settle and hold their tuning |
| Fresh drum heads and your own cymbals | Worn heads lose their tone, and cymbals are the most personal part of a kit |
| Lyrics on paper or on your phone | The engineer follows along and marks the lines that need another take |
| The tempo of each song | A click at the right speed keeps overdubs tight and edits clean |
| Two or three reference songs | They show the sound you want faster than any description can |
| Water at room temperature | Singers keep their voices longer without ice cold drinks |
The control room, the live room and the people who use them, on ordinary session days.






The band tracked four songs live in one full day. The engineer kept the energy of the room and still had every part clean enough to fix one wrong note.
Two hosts, two microphones and no echo at last. The edited episodes come back sounding like a radio show, not a kitchen table.
Vocals recorded in the booth over a beat produced at home. The engineer pushed for one more take on the bridge, and that was the one used.
Yes. Every session includes one of our engineers, who sets up, records and saves the files. If you bring your own producer, our engineer still runs the room and the equipment.
You do. The studio claims no rights in your songs or your recordings. Rights and royalties for the music itself are a matter between the writers and performers, and the rules differ from country to country.
Rough mixes as audio files on the day, plus the full session saved in a common format so any engineer can open it later. Bring a drive, or we share a download link.
Yes. We stream the mix in high quality to anyone with the link, and notes can be sent as we work.
Extra time is $50 an hour when the room is not booked after you. If the next session is booked, we warn you an hour before the end.
Cancel at least 72 hours before and the deposit moves to a new date. Later cancellations keep the deposit, unless someone is ill and we manage to fill the slot.
Choose a session, a date and a start time. We reply within 24 hours to confirm the slot, offer the nearest open one, or ask a question about the project.
Visits are welcome by appointment between sessions, so you can stand in the live room before you book it.
A basement studio in the old market district, with a street level loading door
| Weekdays | 10:00 to 22:00 |
| Saturday | 10:00 to 22:00 |
| Sunday | By arrangement |
| Phone, weekdays | 10:00 to 18:00 |
The studio is down a ramp behind a wide loading door at street level. Unloading is allowed right outside, and long stay parking is a short walk away.
This recording studio website was built by AI from two sentences. Tell us about your business and yours is built the same way, with its pages, photos and booking in place, ready to preview in minutes.
About this sample page
Low Room Recording is fictional; its single page demonstrates how a recording studio can sell time by the session on AI Web Maker. The dark opening screen carries a recording light and a moving level meter, which sets the mood before a word is read. Three session cards give the length, group size and price, with the engineer included in each. The rooms, the session day and a list of things to bring follow, written the way engineers talk. Mixing, mastering and editing prices close the selling part of the page for artists who record elsewhere.
A studio owner on AI Web Maker writes a few lines about the rooms and sessions, and the builder turns that note into a draft page with a booking request. Artists send a request for a date and a start time, and the studio accepts it, moves it or declines it before arranging the deposit directly. Once the site is published, hosting is $119 yearly or $19 monthly plus the domain, and nothing is billed before that. The sample page goes through each section and the reasoning behind its place on the page. A studio with a second room or a rehearsal space can add it as another card without changing the flow.