Quick profile
from$145
- One outfit and one backdrop
- Your two keepers chosen before you go
- Square and upright crops of each
- Further retouched images $35 each

Studio and office sittings for profile photos, whole teams and actors. Every frame appears on a big screen as it is taken, you choose your favourites before you leave, and the retouched files follow within three working days.
Each sitting includes help between looks, picking on screen and a private gallery of the whole shoot. The figures are sample prices in US dollars.
from$145
from$290
from$380
A $60 deposit holds the time and comes off the total. A sitting can move up to 48 hours ahead at no cost; later changes forfeit the deposit unless you are unwell.

Solid colours in mid tones suit almost everyone on camera: navy, forest green, rust, charcoal and soft white. Narrow stripes, small checks and large logos pull the eye away from the face, and very fine patterns can shimmer on screen.
Carry two or three tops on hangers instead of wearing them in, so they arrive uncreased. If you wear glasses every day, bring them; the lights are angled so the lenses stay clear of glare.
We bring the backdrop, the lights and a laptop for picking, build the set in a meeting room in about 40 minutes and photograph one colleague every five to eight minutes.
A room about four metres long, one socket and 40 minutes before the first sitter is all the set needs.
Each colleague sees their frames on the laptop and picks a favourite with us, so nobody waits days to approve their own face.
Backdrop, light height and crop are written down, so a starter photographed next spring still lines up with the rest of the page.
A handful of candid frames at desks or in reception for an about page, with only colleagues who agreed in shot.
Anyone away on the day can join a studio catch up sitting within a month at the team rate.
Every retouched headshot arrives under the colleague's name in web and print sizes, ready to upload in one go.
Team days start at eight people. How long a company may use staff photos is agreed before the day and written into the confirmation, because the rules differ by country.
Studio, window light and office sets, each retouched to the same light touch.






Days are working days, counted from the sitting.
| What | When | Format |
|---|---|---|
| Your picks | Before you leave | Favourites marked together on the big screen |
| Proof gallery | That evening | Private link to every usable frame, open for 60 days |
| Retouched headshots | 3 working days | High resolution JPEG plus a square profile crop |
| Actor files | 3 working days | 10 by 8 ratio at 300 pixels per inch, in colour and mono |
| Rush retouching | Next working day, $40 an image | For a start date, a press announcement or a casting deadline |
| Archive | Kept for 2 years | More retouched images from the archive at $35 each |
Retouching removes blemishes, stray hairs and creases and evens out the light. Face shape, body shape and lasting features such as scars, freckles or birthmarks stay exactly as they are unless you ask.

A personal sitting comes with a licence to use the images anywhere that represents you: profile pages, speaker bios, book jackets, your own site and printed cards. Actors may send them to agents and casting services and print them for auditions.
On a team day, the company may use each headshot while that person works there and for six months after, so pages can be updated calmly. Copyright stays with the studio, and image rights and staff photo rules differ by country, so the exact terms sit in your confirmation.
Watching every frame land on the big screen took the nerves out of it. The two keepers were chosen before the kettle had boiled, and the retouched files came back on day two.
Forty two colleagues photographed between meetings, each choosing a personal favourite. The files arrived named by person, so the team page was updated in one afternoon.
The dramatic look finally matches the parts on the audition list. Casting sized files and a mono version of each came three days later, exactly as promised.
Most sitters do. We begin with a few warm up frames while we talk, show you the screen early and adjust the light and the angle until you like what you see.
No. Blemishes, stray hairs and creases go; face shape, body shape, scars and birthmarks stay unless you ask. The aim is you on a good day, not somebody else.
Yes, bring your usual pair. The lights are angled to keep reflections off the lenses, and a few frames without them are taken in case you want both.
About 30 in a half day and 55 in a full day at five to eight minutes each. Team days start at eight people.
Yes. Every actor pick is delivered in both, sized for casting profiles and for 10 by 8 prints.
Tell us before the sitting and we move it, with the deposit carried over. A spot can be retouched, but a heavy cold rarely photographs well.
Pick the sitting, the day and a start time. Within one working day the studio confirms it, offers a nearby time, or say plainly that the day is taken.
A ground floor studio with level access, a dressing room and a mirror lit the way the set is.
A ground floor daylight studio near the main station, with team days at offices across the city and its suburbs
| Tuesday to Friday | 8:00 to 18:00 |
| Saturday | 9:00 to 14:00, actor sittings |
| Sunday and Monday | Studio closed, team days by arrangement |
The dressing room has a steamer, a hanging rail and a properly lit mirror, so the commute never shows in the frames.
Book a sittingThis headshot photographer website was built by AI from two sentences. Tell us about your business and yours is built the same way, with its pages, photos and booking in place, ready to preview in minutes.
About this sample page
Frame Ready Headshots is an invented studio, built to show how a headshot photographer can sell calm as well as pictures. A studio light sweeps across the opening photo while three facts promise picking on screen, files in three working days and no reshaping. Timed sittings, wardrobe advice and a team day offer for offices follow in that order. Six portraits, a delivery table and a usage section then answer what the client receives and where it may go. Example reviews and the questions sitters ask come last, just above the form that takes a sitting, a date and an hour, so the whole page reads as reassurance.
Build your own page around the sittings you sell most, rather than every kind of portrait you can take. Give the builder your sitting lengths, your team day terms and your retouching turnaround, then rewrite the draft in your own voice. Replace the portraits with real sitters who agreed in writing, including at least one from a team day. State your retouching limits as precisely as Frame Ready does, because they decide most bookings. A page built this way answers the nervous sitter and the busy employer at the same time.
The whole sample website of a headshot photographer, explained ·